Makj released a little snippet of a track he is working on that’ll be released this year. It sounds like a Big Room track with a Melbourne bounce feel. Check it out and let us know what you think.
Continuing with the Big Room sound that is so popular in the EDM scene right now, Musical Freedom is preparing a Big Room release for 2014. Thomas Newson and John Dish bring a track with great percussion and the typical xylophone like melody on “Kalavela” which will most likely be played at various events next year.
Out January 6, 2013 on Musical Freedom.
Cedric Gervais brings us a sneak peek of his upcoming release with CID, “Never Come Close” a Progressive house tune with a big room and tribal feel to it. If you went to EDC Orlando and saw Cedric Gervais’ set, you most likely remember hearing “Never Come Close”
The track will be released on Spinnin’ Recordings in December.
Bass King remixes X-Vertigo Attack!, X-Vertigo’s music label, second release “Ghost Bass” featuring Australian band The Belligerents. Although it is just preview, you can get a good scope of what this remix will become. The drop is not only Big Room, but the melody will get stuck in the head of anyone who listens to it (not because it’s annoying). Take a listen for yourself and let us know what you think.
Although the lyrics are a wee-bit cliché, the drop on this remix isn’t half bad. It’s big room, but it sounds “not depressingly” similar to other stuff out there. Blasterjaxx did a good job on this remix, let us know what you think.
Yes, finally, some Big Room house that doesn’t sound like CTRL+C & CTRL+P.
“G.I.P.S.Y” is different in that it doesn’t use the same old plug-ins and VSTs to make melodies; Dimitri, Like Mike and BoostedKids used a surprisingly old school sound in their drop, a Flute. It sounds pretty great, you can only imagine the reaction when this is played in front of the right crowd.
Baggi Begovic and Team Bastian bring us their new Progressive House tune, “Sleep Till I Come Home”
Although the track classifies as a progressive house track, the kicks on this belong in Big Room which creates a unique mix that makes this track a must have. Expect to here this track at various shows this Fall/Winter season.Get it on Beatport, today!
You may remember the names from the big hit, “Kings” featuring Golden Suns, played at almost every Festival and Radio Show since it’s release on Tiesto’s Musical Freedom label. Now Bass King and X-Vertigo are back with some new stuff, this time a remix of NERVO and Ivan Gough’s “Not Taking This No More” with vocals by Beverly Knight. NERVO’s track was transformed into a hard hitting Big Room house track with some hardstyle-like synth action going on.
This single was featured on David Guetta’s radio show/DJ mix and will be released on Spinnin Recordings soon.
Fairfax, VA – Two different tracks, two different record labels — same sounds though. Can you tell the difference between Tsunami and Stampede? Or does “Stampede” sound like Version 2.0 of Tsunami? Let us know below.
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Fairfax, VA – Let us begin by saying, if you like DVBBS’ “Tsunami” you’ll love this track — which isn’t necessarily a good thing either.
EDM has exploded in the last few years, due mostly to it’s expansion in the U.S. market. This has led to much of “the same thing” — producers follow trends too tightly. “Stampede” is a great example of that. There is no doubt denying “Tsunami” is a great track that makes festivals, in a somewhat literal sense, go “boom” and “Stampede” follows that trend too — a little too closely though. It’ll definitely be a big hit at shows and festivals for the remainder of the year, but some fans may confuse it for a mash-up or an edit of “Tsunami”
For a song with so much talent involved, I think this track fell a little bit short of what was expected. Still ts a great track to rage to, but it lacks originality considering it sounds like “Tsunami” and its partially produced by the same guys.
We won’t be writing a review of this single.
Fairfax, VA – Makj released a mashup from his set at Tomorrowland today after posting one of those “Like This then this happens’ posts on his Fanpage.
This Mashup mixes one of the best oldschool hip hop beats by Dr. Dre with big room house — who would of thought!? The combination is great, no wonder he used it during his set at Tomorrowland which, most likely, got a pretty good response from the crowd. We hope you enjoy this mashup as much as we did.
Washington, D.C. – Carnage has been promoting this single for weeks; playing it at various shows, posting about it on Social media and even rolling out a parody Jumpman logo with his silhouette instead of Michael Jordan’s.
Yes, its another Big Room house track, but that’s what Carnage is known for too, in addition to “Festival” trap music. As many of you already can tell, Big Room is a sound that almost every producer out there has release or is planning to release. It has taken the scene by storm and artists like Carnage were at the forefront of that with the release of his song along side Borgore, “Incredible” played by artists like Avicii at shows and festivals.
The instrumental was in part mostly produced by Tony Junior, dutch producer and DJ, and Carnage added vocals and completed the rest of the production, as stated by Billboard who recieved exclusive access to the single. Let us know what you think of the track, did it live up to all the hype?
Palm Springs, CA – Lately various producers have been producing house tracks with a big room sound which, sadly, sound almost the same. Following this trend Sohella has also released a big room house track, but its different and best of all — awesome.
When you first listen to the song, you don’t know what to expect with more than one drop, one following into another, but when the bass drop it drops. Sohella, instead of using punchy dutch drums and cliche one word phrases in the track, used a mix-mash of random songs to give the song a unique feel in a time where all big room house songs sound and feel the same. We totally recommend downloading this amazing freebie! \